35 entries
A recurring abstract doorway with an angled top, narrow side return and softly dissolving lower edge appears in a changing relationship of form, field, depth and edge colors.

Never the Same

Abstraction Creative

Three distinct kinds of arcs, contours and hatching meet around an irregular open center; their colors change across textured palette fields.

A Shared Form

Abstraction Creative

Dark Navy pulses and note-like marks rise and fall across a Gesso paper field, surrounded by Haze Blue washes and fine Muted Ochre connecting traces.

A Fragment Becomes a World

Abstraction Creative

Dense Navy and Espresso repetitions of lowercase and occupy a Dust field; an existing lower-right word-scale module is Muted Ochre, beside a broad curved clearing.

And and and

Abstraction Creative

Haze Blue and Sage planes overlap pale and dark painted regions and fine angular drawing; three bracket-like glyphs recur at different scales.

Between Seeing and Knowing

Abstraction Creative

Invented monochrome windows, a stair and a doorway meet at discontinuous rectangular joins, with a pale interval and Clay and Ochre printed inserts.

A Different Kind of Familiar

Abstraction Creative

Graphite clusters, rubbed-out lines and pale patches cross a warm field, interrupted by small Sage and Ochre rectangular tabs.

Finding Through Making

Abstraction Creative

Dark Navy diagonal planes and a Clay lower plane meet around a pale interval, crossed by a translucent Haze Blue veil.

Held Open

Abstraction Creative

Paper-like Clay, Sage, pale and dark bands pass over and under one another across a deep blue-gray field.

Through One Another

Abstraction Creative

Two torn and layered paper constructions leave an empty diagonal interval; the lower layer is Clay and an upper endcap is Haze Blue.

Room for What Comes

Abstraction Creative

Fine dark rectangular marks and vertical traces form a loose diagonal rhythm across pale paper, with Haze Blue and Sage torn fragments.

What Comes Forward

Abstraction Creative

A sparse angular line on translucent vellum overlays torn Sage and pale layers on a Clay field.

Beyond the Outline

Abstraction Creative

A broad Ochre dry-brush sweep approaches a dark Navy plane, with a short Sage horizontal stroke and faint erased traces on pale paper.

A Deliberate Emphasis

Abstraction Creative

Navy arcs overlap a Sage upright rectangle, an Espresso horizontal bar and a Clay quadrant, with a translucent pale overlap.

More Than One Beginning

Abstraction Creative

Ochre, dark, Sage and warm horizontal bands are crossed by a displaced diagonal seam and a pale triangular opening near the lower right.

Where the Pattern Breaks

Abstraction Creative

Five raised-looking geometric plates in Sage, Clay, Navy and Espresso are connected by fine taut and curved lines across a pale field.

The Whole Responds

Abstraction Creative

A broad Haze Blue plane meets a deep wood-textured plane at an eased corner and a narrow Ochre inlay.

Where It Comes Together

Abstraction Creative

Thick Clay, Sage, Gesso and dark blue-gray paint-like masses meet along forceful diagonal edges in a tightly cropped square.

Toward Something Real

Abstraction Creative

A thin Haze Blue translucent curve, fine filaments and a restrained Ochre edge describe an open volume within a tall luminous field.

What the Space Holds

Abstraction Creative

Concrete-like ledges, dark openings, a torn Clay strip and a Haze Blue plane intersect at incompatible angles with fine drawn extensions.

Between Forms

Abstraction Creative

A Sage timber-like plane is held diagonally by a fine dark cable and a small metal fastening, with an Ochre brace below and an oblique wall shadow.

What Is Needed

Abstraction Creative

A Clay translucent band crosses Haze Blue projected light and enlarged elliptical shadows over a deep Space Night field.

A Part, A Whole

Abstraction Creative

A translucent Clay curve and Haze Blue angular planes overlap across a pale textured landscape field, with broad changes in light and color.

Under Changing Conditions

Abstraction Creative

A large notched Gesso rectangle and a narrow pale bar interrupt a broad Sage field beside an offset Space Night upright.

Still Recognizable

Abstraction Creative

Thick Sage and Gesso woven bundles cross dark Space Night blocks and exposed vertical warp, with fine Clay securing loops and a small pale repair.

Held in Relation

Abstraction Creative

Two thick pale curved forms nearly surround an opening on a dark Space Night surface, accompanied by a Clay cylinder and a small Haze Blue bridge.

Room to Reconfigure

Abstraction Creative

Tiny Space Night diagonal strokes repeat on Gesso, interrupted by rectangular gaps, a shifted Sage horizontal block and a compact Clay corner cluster.

A Useful Exception

Abstraction Creative

A pale winding channel crosses Haze Blue and Space Night stepped fields, with smaller Clay and pale checkerboard units around parts of its boundary.

A Different Resolution

Abstraction Creative

Clay and Sage upper planes meet flowing deposits on a pale textured field; lower Espresso and Navy planes frame a narrow central opening.

Where Does Nature End?

Abstraction Creative

A broad Clay dry-brush gesture crosses a pale paper field containing fine dark construction lines, sparse local clusters and erasures.

Finding Our Bearings

Abstraction Creative

A pale broken-angle glyph and a compact Space Night stepped form face one another across a Sage field, accompanied by unequal bars and monochrome halftone fragments.

Every Mark Enters a Conversation

Abstraction Creative

A pale plaster-like panel with a protected rectangular trace, two tiny holes, folded translucent paper and adhesive marks rests on a Clay support, beside a torn Haze Blue patch.

What Makes It Real?

Abstraction Creative

Fine dark angular lines stretch across a textured pale field; Sage planes and small Clay interventions gather around uneven activity clusters and a long open interval.

The Life Around the Plan

Abstraction Creative

A winding Sage dry-brush mark meets fine dark lines that change spacing and course around a narrow central encounter on pale paper.

Empathy

Abstraction Creative

Three matte-black frames with broad white mats show an abstract human presence in Haze Blue, Clay and dark cells; an emerging face in Sage, Ochre and dark marks; and Avery Potter’s unchanged black-and-white self-portrait.

A Person Comes Into View

Abstraction Creative

Connect

contact@abstractioncreative.com

Start a conversation.

Tell us what you’re working toward and where you could use help. We’ll reply by email.

Tell us a little about yourself or your organization, what you’re trying to accomplish and what’s getting in the way.